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I acknowledge that I am practicing on unceded land. There is a long, rich history of making in so-called Australia, and my engagement with creative practice is informed by the knowledge of First Nations People.
ERIN GINTY
(she/her)
between Walyalup and Naarm
cv here
vimeo here
swamp seranade
diagrams for divination
lemon action
collection station 79
understanding permanence
modulous of rupture