I acknowledge that I am practicing on unceded land. There is a long, rich history of making in so-called Australia, and my engagement with creative practice is informed by the knowledge of First Nations People.

ERIN GINTY
(she/her) is an artist practicing with clay, video and installation between Walyalup (Fremantle) and Naarm (Melbourne).
She is interested in speculative ecologies, the entanglements between nature and industry, and the ways in which we occupy the in-between.

cv here
vimeo here

^{swamp seranade (2025)}

^{diagrams for divination (2025)}

^{trepanning of planet earth (2023)}

^{collection station 79 (2023)}

^{understanding permanence (2022)}

^{modulous of rupture (2022)}

ERIN GINTY (she/her) is an artist practicing with clay, video and installation between Walyalup (Fremantle) and Naarm (Melbourne). She is interested in speculative ecologies, the entanglements between nature and industry, and the ways in which we occupy the in-between. cv here vimeo here

swamp seranade (2025)

diagrams for divination (2025)

trepanning of planet earth (2023)

collection station 79 (2023)

understanding permanence (2022)